The World as Will and Idea
Arthur Schopenhauer
2,809 passages indexed from The World as Will and Idea (Arthur Schopenhauer) — Page 24 of 57
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The World as Will and Idea, passage 741
It is quite wrong, however, to call pain and pleasure ideas, for they are by no means ideas, but immediate affections of the will in its manifestation, the body; compulsory, instantaneous willing or not-willing of the impression which the body sustains. There are only a few impressions of the body which do not touch the will, and it is through these alone that the body is an immediate object of knowledge, for, as perceived by the understanding, it is already an indirect object like all others.
The World as Will and Idea, passage 805
But the word _will_, which, like a magic spell, discloses to us the inmost being of everything in nature, is by no means an unknown quantity, something arrived at only by inference, but is fully and immediately comprehended, and is so familiar to us that we know and understand what will is far better than anything else whatever.
The World as Will and Idea, passage 154
Matter shows that it springs from time by quality (accidents), without which it never exists, and which is plainly always causality, action upon other matter, and therefore change (a time concept). The law of this action, however, always depends upon space and time together, and only thus obtains meaning. The regulative function of causality is confined entirely to the determination of what must occupy _this time and this space_.
The World as Will and Idea, passage 2572
Finally, even the great Goethe, Greek as he is, did not think it below his dignity to show us this most beautiful side of humanity in the magic mirror of poetic art, for he represented the life of Fräulein Klettenberg in an idealised form in his “Confessions of a Beautiful Soul,” and later, in his own biography, gave us also an historical account of it. Besides this, he twice told the story of the life of St. Philippo Neri.
The World as Will and Idea, passage 874
If therefore all mathematics affords us an exhaustive knowledge of that which in the phenomena is quantity, position, number, in a word, spatial and temporal relations; if all etiology gives us a complete account of the regular conditions under which phenomena, with all their determinations, appear in time and space, but, with it all, teaches us nothing more than why in each case this particular phenomenon must appear just at this time here, and at this place now; it is clear that with their assistance we can never penetrate to the inner nature of things.
The World as Will and Idea, passage 1161
§ 30. In the First Book the world was explained as mere _idea_, object for a subject. In the Second Book we considered it from its other side, and found that in this aspect it is _will_, which proved to be simply that which this world is besides being idea. In accordance with this knowledge we called the world as idea, both as a whole and in its parts, the _objectification of will_, which therefore means the will become object, _i.e._, idea.
The World as Will and Idea, passage 780
For the fact of its manifestation cannot depend upon something which does not exist directly and only through it, which consequently is for it merely accidental, and through which its manifestation itself would be merely accidental. Now that condition is just the whole body itself.
The World as Will and Idea, passage 1631
This becomes peculiarly enlightening from Goethe’s treatment of the fable, as an episode in the _Triumph der Empfindsamkeit_, which is beyond all praise. Three detailed allegorical works are known to me, one, open and avowed, is the incomparable “Criticon” of Balthasar Gracian.
The World as Will and Idea, passage 2026
Reflection on the unalterable nature of the character, on the unity of the source from which all our actions flow, must not mislead us into claiming the decision of the character in favour of one side or the other; it is in the resolve that follows that we shall see what manner of men we are, and mirror ourselves in our actions. This is the explanation of the satisfaction or the anguish of soul with which we look back on the course of our past life.
The World as Will and Idea, passage 1246
In the manifold forms of human life and in the unceasing change of events, he will regard the Idea only as the abiding and essential, in which the will to live has its fullest objectivity, and which shows its different sides in the capacities, the passions, the errors and the excellences of the human race; in self-interest, hatred, love, fear, boldness, frivolity, stupidity, slyness, wit, genius, and so forth, all of which crowding together and combining in thousands of forms (individuals), continually create the history of the great and the little world, in which it is all the same whether they are set in motion by nuts or by crowns.
The World as Will and Idea, passage 2421
If, however, we wish to give an honorary position, as it were emeritus, to an old expression, which from custom we do not like to discard altogether, we may, metaphorically and figuratively, call the complete self-effacement and denial of the will, the true absence of will, which alone for ever stills and silences its struggle, alone gives that contentment which can never again be disturbed, alone redeems the world, and which we shall now soon consider at the close of our whole investigation—the absolute good, the _summum bonum_—and regard it as the only radical cure of the disease of which all other means are only palliations or anodynes.
The World as Will and Idea, passage 975
It lies outside all time, is omnipresent, and seems as it were to wait constantly till the circumstances occur under which it can appear and take possession of a definite matter, supplanting the forces which have reigned in it till then. All time exists only for the phenomena of such a force, and is without significance for the force itself.
The World as Will and Idea, passage 1641
§ 51. If now, with the exposition which has been given of art in general, we turn from plastic and pictorial art to poetry, we shall have no doubt that its aim also is the revelation of the Ideas, the grades of the objectification of will, and the communication of them to the hearer with the distinctness and vividness with which the poetical sense comprehends them.
The World as Will and Idea, passage 950
This unity of its being in all its phenomena, this unchangeable constancy of the appearance of these, whenever, under the guidance of causality, the necessary conditions are present, is called a _law of nature_. If such a law is once learned from experience, then the phenomenon of that force of nature, the character of which is expressed and laid down in it, may be accurately forecast and counted upon.
The World as Will and Idea, passage 2043
It is the abstract, and consequently distinct, knowledge of the unalterable qualities of our own empirical character, and of the measure and direction of our mental and physical powers, and thus of the whole strength and weakness of our own individuality. This places us in a position to carry out deliberately and methodically the rôle which belongs to our own person, and to fill up the gaps which caprices or weaknesses produce in it, under the guidance of fixed conceptions.
The World as Will and Idea, passage 795
He will recognise this will of which we are speaking not only in those phenomenal existences which exactly resemble his own, in men and animals as their inmost nature, but the course of reflection will lead him to recognise the force which germinates and vegetates in the plant, and indeed the force through which the crystal is formed, that by which the magnet turns to the north pole, the force whose shock he experiences from the contact of two different kinds of metals, the force which appears in the elective affinities of matter as repulsion and attraction, decomposition and combination, and, lastly, even gravitation, which acts so powerfully throughout matter, draws the stone to the earth and the earth to the sun,—all these, I say, he will recognise as different only in their phenomenal existence, but in their inner nature as identical, as that which is directly known to him so intimately and so much better than anything else, and which in its most distinct manifestation is called _will_.
The World as Will and Idea, passage 1449
If now we consider _architecture_ simply as a fine art and apart from its application to useful ends, in which it serves the will and not pure knowledge, and therefore ceases to be art in our sense; we can assign to it no other aim than that of bringing to greater distinctness some of those ideas, which are the lowest grades of the objectivity of will; such as gravity, cohesion, rigidity, hardness, those universal qualities of stone, those first, simplest, most inarticulate manifestations of will; the bass notes of nature; and after these light, which in many respects is their opposite.
The World as Will and Idea, passage 1725
But in the last kind of tragedy we see that those powers which destroy happiness and life are such that their path to us also is open at every moment; we see the greatest sufferings brought about by entanglements that our fate might also partake of, and through actions that perhaps we also are capable of performing, and so could not complain of injustice; then shuddering we feel ourselves already in the midst of hell.
The World as Will and Idea, passage 1195
§ 32. It follows from our consideration of the subject, that, for us, Idea and thing-in-itself are not entirely one and the same, in spite of the inner agreement between Kant and Plato, and the identity of the aim they had before them, or the conception of the world which roused them and led them to philosophise.
The World as Will and Idea, passage 1666
The mere, pure historian, who works only according to data, is like a man, who without any knowledge of mathematics, has investigated the relations of certain figures, which he has accidentally found, by measuring them; and the problem thus empirically solved is affected of course by all the errors of the drawn figure.
The World as Will and Idea, passage 2116
This hypothesis is supported not only by the well-known experience that great suffering makes all lesser ills cease to be felt, and conversely that freedom from great suffering makes even the most trifling inconveniences torment us and put us out of humour; but experience also teaches that if a great misfortune, at the mere thought of which we shuddered, actually befalls us, as soon as we have overcome the first pain of it, our disposition remains for the most part unchanged; and, conversely, that after the attainment of some happiness we have long desired, we do not feel ourselves on the whole and permanently very much better off and agreeably situated than before.
The World as Will and Idea, passage 2741
We look with deep and painful longing upon this state, beside which the misery and wretchedness of our own is brought out clearly by the contrast. Yet this is the only consideration which can afford us lasting consolation, when, on the one hand, we have recognised incurable suffering and endless misery as essential to the manifestation of will, the world; and, on the other hand, see the world pass away with the abolition of will, and retain before us only empty nothingness.
The World as Will and Idea, passage 1310
The madman, on the other hand, always carries about in his reason an abstract past, but it is a false past, which exists only for him, and that either constantly, or only for the moment. The influence of this false past prevents the use of the true knowledge of the present which the brute is able to make. The fact that violent mental suffering or unexpected and terrible calamities should often produce madness, I explain in the following manner.
The World as Will and Idea, passage 2368
For example, if it seems as if some change took place without a cause, or some one who is dead appears again, or if in any other way the past or the future becomes present or the distant becomes near. The fearful terror at anything of the kind is founded on the fact that they suddenly become puzzled about the forms of knowledge of the phenomenon, which alone separate their own individuality from the rest of the world.
The World as Will and Idea, passage 427
361) says, “One _felt_ that the fallacies were not right, but could not point out the mistakes.” Now, so long as we do not regard this concept “_feeling_” from the right point of view, and do not recognise that one negative characteristic which alone is essential to it, it must constantly give occasion for misunderstanding and controversy, on account of the excessive wideness of its sphere, and its entirely negative and very limited content which is determined in a purely one-sided manner.
The World as Will and Idea, passage 447
This becomes very clear if we compare the perception of curves with their analytical calculation, or the table of logarithms of the trigonometrical functions with the perception of the changing relations of the parts of a triangle, which are expressed by them.
The World as Will and Idea, passage 1960
Through the knowledge which is added to it he comes to know in the course of experience _what he is_, _i.e._, he learns his character. Thus he _knows_ himself in consequence of and in accordance with the nature of his will, instead of _willing_ in consequence of and in accordance with his knowing. According to the latter view, he would only require to consider how he would like best to be, and he would be it; that is its doctrine of the freedom of the will.
The World as Will and Idea, passage 1405
§ 40. Opposites throw light upon each other, and therefore the remark may be in place here, that the proper opposite of the sublime is something which would not at the first glance be recognised, as such: _the charming_ or _attractive_. By this, however, I understand, that which excites the will by presenting to it directly its fulfilment, its satisfaction.
The World as Will and Idea, passage 1340
All this is accomplished by the inner power of an artistic nature alone; but that purely objective disposition is facilitated and assisted from without by suitable objects, by the abundance of natural beauty which invites contemplation, and even presses itself upon us. Whenever it discloses itself suddenly to our view, it almost always succeeds in delivering us, though it may be only for a moment, from subjectivity, from the slavery of the will, and in raising us to the state of pure knowing.
The World as Will and Idea, passage 2233
Thus if, from the will manifesting itself as another body, it withdraws the powers of this body, and so increases the power serving its own will beyond that of its own body, it consequently asserts its own will beyond its own body by means of the negation of the will appearing in another body. This breaking through the limits of the assertion of will of another has always been distinctly recognised, and its concept denoted by the word _wrong_.
The World as Will and Idea, passage 2535
If we compare life to a course or path through which we must unceasingly run—a path of red-hot coals, with a few cool places here and there; then he who is entangled in delusion is consoled by the cool places, on which he now stands, or which he sees near him, and sets out to run through the course.
The World as Will and Idea, passage 1003
Of the causes of the appearance of the individual creature it has little to say, for in all cases this is procreation (the theory of which is a separate matter), and in rare cases the _generatio æquivoca_. But to this last belongs, strictly speaking, the manner in which all the lower grades of the objectification of will, that is to say, physical and chemical phenomena, appear as individual, and it is precisely the task of etiology to point out the conditions of this appearance.
The World as Will and Idea, passage 1374
I think it is more in keeping with the plan of my treatise, first to give examples of these transitions, and of the weaker degrees of the impression of the sublime, although persons whose æsthetical susceptibility in general is not very great, and whose imagination is not very lively, will only understand the examples given later of the higher and more distinct grades of that impression; and they should therefore confine themselves to these, and pass over the examples of the very weak degrees of the sublime that are to be given first.
The World as Will and Idea, passage 174
My essay on the principle of sufficient reason accomplishes just this: it explains the content of that principle as the essential form of every object—that is to say, as the universal nature of all objective existence, as something which pertains to the object as such; but the object as such always presupposes the subject as its necessary correlative; and therefore the subject remains always outside the province in which the principle of sufficient reason is valid.
The World as Will and Idea, passage 139
Thus also, whoever has recognised the law of causation, the aspect of the principle of sufficient reason which appears in what fills these forms (space and time) as objects of perception, that is to say matter, has completely mastered the nature of matter as such, for matter is nothing more than causation, as any one will see at once if he reflects. Its true being is its action, nor can we possibly conceive it as having any other meaning.
The World as Will and Idea, passage 1736
Yet the point of comparison between music and the world, the respect in which it stands to the world in the relation of a copy or repetition, is very obscure. Men have practised music in all ages without being able to account for this; content to understand it directly, they renounce all claim to an abstract conception of this direct understanding itself.
The World as Will and Idea, passage 2316
Thus the same line may be drawn from opposite directions, and a beast of prey with a muzzle is as harmless as a graminivorous animal. But beyond this point the state cannot go. It cannot exhibit a phenomenon such as would spring from universal mutual well-wishing and love.
The World as Will and Idea, passage 1530
In sculpture, beauty and grace are the principal concern. The special character of the mind, appearing in emotion, passion, alternations of knowing and willing, which can only be represented by the expression of the countenance and the gestures, is the peculiar sphere of _painting_. For although eyes and colour, which lie outside the province of sculpture, contribute much to beauty, they are yet far more essential to character. Further, beauty unfolds itself more completely when it is contemplated from various points of view; but the expression, the character, can only be completely comprehended from _one_ point of view.
The World as Will and Idea, passage 514
It is therefore a very prevalent but perverted opinion that the scientific character of knowledge consists in its greater certainty, and just as false is the conclusion following from this, that, strictly speaking, the only sciences are mathematics and logic, because only in them, on account of their purely _a priori_ character, is there unassailable certainty of knowledge.
The World as Will and Idea, passage 1403
“... for thou hast been, As one, in suffering all, that suffers nothing; A man that fortune’s buffets and rewards Hast ta’en with equal thanks,” &c. (A. 3. Sc. 2.)
The World as Will and Idea, passage 1218
§ 34. The transition which we have referred to as possible, but yet to be regarded as only exceptional, from the common knowledge of particular things to the knowledge of the Idea, takes place suddenly; for knowledge breaks free from the service of the will, by the subject ceasing to be merely individual, and thus becoming the pure will-less subject of knowledge, which no longer traces relations in accordance with the principle of sufficient reason, but rests in fixed contemplation of the object presented to it, out of its connection with all others, and rises into it.
The World as Will and Idea, passage 23
But only if we have fully recognised by means of that essay what the principle of sufficient reason is and signifies, what its validity extends to, and what it does not extend to, and that that principle is not before all things, and the whole world merely in consequence of it, and in conformity to it, a corollary, as it were, of it; but rather that it is merely the form in which the object, of whatever kind it may be, which is always conditioned by the subject, is invariably known so far as the subject is a knowing individual: only then will it be possible to enter into the method of philosophy which is here attempted for the first time, and which is completely different from all previous methods.
The World as Will and Idea, passage 2240
(We shall analyse this feeling which accompanies the doing of wrong and evil, in other words, the pangs of conscience, more fully later on, and raise its concept to distinctness.) Mutilation, or mere injury of another body, indeed every blow, is to be regarded as in its nature the same as murder, and differing from it only in degree.
The World as Will and Idea, passage 662
In respect of this withdrawal into reflection he may be compared to an actor who has played his part in one scene, and who takes his place among the audience till it is time for him to go upon the stage again, and quietly looks on at whatever may happen, even though it be the preparation for his own death (in the piece), but afterwards he again goes on the stage and acts and suffers as he must.
The World as Will and Idea, passage 660
Thus it is worth noticing, and indeed wonderful, how, besides his life in the concrete, man always lives another life in the abstract. In the former he is given as a prey to all the storms of actual life, and to the influence of the present; he must struggle, suffer, and die like the brute.
The World as Will and Idea, passage 1156
We are fortunate enough if there still remains something to wish for and to strive after, that the game may be kept up of constant transition from desire to satisfaction, and from satisfaction to a new desire, the rapid course of which is called happiness, and the slow course sorrow, and does not sink into that stagnation that shows itself in fearful ennui that paralyses life, vain yearning without a definite object, deadening languor.
The World as Will and Idea, passage 308
Thus it is in the object, but is not valid before and outside of it; it first produces the object and makes it appear in conformity with its regulative principle. We see then that the system which starts from the subject contains the same fallacy as the system, explained above, which starts from the object; it begins by assuming what it proposes to deduce, the necessary correlative of its starting-point.
The World as Will and Idea, passage 2199
This view is mythically expressed in the dogma of Christian theology that we are all partakers in Adam’s first transgression (which is clearly just the satisfaction of sexual passion), and through it are guilty of suffering and death.
The World as Will and Idea, passage 200
After these numerous quotations from the poets, perhaps I also may be allowed to express myself by a metaphor. Life and dreams are leaves of the same book. The systematic reading of this book is real life, but when the reading hours (that is, the day) are over, we often continue idly to turn over the leaves, and read a page here and there without method or connection: often one we have read before, sometimes one that is new to us, but always in the same book. Such an isolated page is indeed out of connection with the systematic study of the book, but it does not seem so very different when we remember that the whole continuous perusal begins and ends just as abruptly, and may therefore be regarded as merely a larger single page.
The World as Will and Idea, passage 737
It will appear later that this is true of every movement of the body, not merely those which follow upon motives, but also involuntary movements which follow upon mere stimuli, and, indeed, that the whole body is nothing but objectified will, _i.e._, will become idea. All this will be proved and made quite clear in the course of this work.